Arts ATL Review of Artificial Eden
In Madeline Maxine Gorman’s Artificial Eden, dancers Dylan Lambert and Alexandra McGriff explored the disturbing effects of artificial intelligence in social media.
Madeline Maxine Gorman’s timely Artificial Eden was a searing comment on how pervasive social media and mobile devices affect human behavior. Dancers Dylan Lambert and Alexandra McGriff, lit in green, became engrossed in their individual devices. They fought for one another’s devices, related to one another through their devices and finally — their eyes appearing on the outsides of their tablets — seemed to see the world solely through their screens.
